In 1990 I was suddenly inspired by the music of Astor Piazzolla; his New Tango was something of an epiphany for me, a call to, perhaps, abandon the dominant language of bebop in my compositional approach (and that’s a long story in itself, because in the following years and I went in and out in my desire to compose according to certain boppish principles; I did not abandon them completely but I did reform myself enough to reorient my writing and playing).
This is so cool....it even has an Ornette-Don Cherry vibe at the beginning, then it goes to another place that's traditional yet somehow avant garde at the same time. Doc has the most gorgeous sound.
Years ago, Marian McPartland hosted Cecil Taylor on her NPR show "Piano Jazz." Nobody has posted a video on YouTube, but it has to be in NPR's archive. I can't honestly say I remember what it sounded like when they duetted, but I do remember being pleasantly surprised, though I shouldn't have been.
Love this "generational/cross-stylistic thing." My final map of the world will be a glorious web of outward radiating circles cross-hatched with innumerable finely complicated intersections. No way in hell will it follow a straight line, point to point.
Wonderful: "Doc played beautifully, handling this unfamiliar form with ease. He had a beautiful tone, and here was the kicker: I told him his sound remind me of Booker Little and he said, “hey, you know, I used to substitute for him in Latin bands in New York.”"
I've been meaning to ask you if you knew Al and Liz Hall at all. She was a painter and art teacher who lived in New Haven and was a family friend. Al was a bass player with Doc Cheatham and with the Duke Ellington orchestra. Sadly I only met him a few times but she was dear to me.
Elizabeth was a neighbor, and we spent some time hanging out in the year before I moved away (1996). We had a few mutual musician friends, like Dick Katz. I never met Al; I also knew Barbara Bishop, Elizabeth's daughter, but I lost track of her and don't know where she is.
This is so cool....it even has an Ornette-Don Cherry vibe at the beginning, then it goes to another place that's traditional yet somehow avant garde at the same time. Doc has the most gorgeous sound.
Fun story and sweet track of Doc
Really dug this! Piazolla is a North Star, playing a guitar quartet arrangement of Libertango in college was very influential for me.
Years ago, Marian McPartland hosted Cecil Taylor on her NPR show "Piano Jazz." Nobody has posted a video on YouTube, but it has to be in NPR's archive. I can't honestly say I remember what it sounded like when they duetted, but I do remember being pleasantly surprised, though I shouldn't have been.
Love this "generational/cross-stylistic thing." My final map of the world will be a glorious web of outward radiating circles cross-hatched with innumerable finely complicated intersections. No way in hell will it follow a straight line, point to point.
Wonderful: "Doc played beautifully, handling this unfamiliar form with ease. He had a beautiful tone, and here was the kicker: I told him his sound remind me of Booker Little and he said, “hey, you know, I used to substitute for him in Latin bands in New York.”"
I've been meaning to ask you if you knew Al and Liz Hall at all. She was a painter and art teacher who lived in New Haven and was a family friend. Al was a bass player with Doc Cheatham and with the Duke Ellington orchestra. Sadly I only met him a few times but she was dear to me.
Elizabeth was a neighbor, and we spent some time hanging out in the year before I moved away (1996). We had a few mutual musician friends, like Dick Katz. I never met Al; I also knew Barbara Bishop, Elizabeth's daughter, but I lost track of her and don't know where she is.
And of course the other big question a New Havener has to ask- Pepe's, Sally's, or Modern?